ASHLEY HANS SCHEIRL
Magazine 'Passage'
Deichtorhallen/Sammlung Falckenberg Hamburg
Palais de Tokyo, Paris
Paintings 2023
Flaming Ears restored!
paintings 2022
"Private" Parts!?
Soft Machine at Phileas Vienna
Biennale Arte Venezia 2022
Tranny's Pleasures
Currencies of De*Capital Delirium
KUB Bregenz
KUB Katalog
Trend
Book
15th Biennale of Lyon
New Works 2019
Exhibitions 2019
Exhibitions 2018
Fiac 2018
new works 2018
Tina+me
documenta 14
investor's marble fever
libidinal economy's special effects
neoliberal musings
rogue economics
numbered
fluid membership
fiscal stimulus faltering
Hans
dropping 2.5% to $ 116.61 Reproduction
h_ dandy body_parts
monograph
die raffinerie
painting's profit
mofa
financial drooling
öl gold eier/oil gold balls
libidinal economy 2010
transgenics TM
reproductive derangement
more installations
boy series
milk: brown, green
monochromes
self/portraits
large storyboard
kino
still lives
drawings
mutants
empty cinema
films: filmography
dandy dust
1/2 frogs
summer of 1995
flaming ears
the abbotess
early films
performance
music
fotography
exhibitions
filmscreenings
press
bio
bibliography
links
contact
new works
'Ob_Scenery 1' acrylic on canvas, 175 x 110cm, 2018 Foto: Andrew Phelps
'Ob_Scenery 2' acrylic on canvas, 200x150cm, 2018 Foto: Andrew Phelps
'Deviant Derivatives' acrylic on canvas, 175 x 110cm, 2018 Foto: Andrew Phelps
'Selfportrait with green Ear' 175cm x125cm, acrylic on canvas 2018
'Fist' 175cm x125cm, acrylic on canvas 2018
Mouth of Gold, 2018 Acryl auf Leinwand / acrylic on canvas 175 x 130 cm; courtesy: evn Sammlung
Genital Economy Posing, 2018 Acryl auf Leinwand / acrylic on canvas 175 x 130 cm
'Selbstportrait mit Pinsel/Selfportrait with Brush', Acryl auf Leinwand, 175cm x 130cm, 2018; courtesy: Sammlung Kunsthaus Bregenz
- 'A Hidden Ecosystem of Opaque Investment Vehicles' acrylic on canvas, 3 paintings, each: 185 x 130cm; 2018
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