ASHLEY HANS SCHEIRL
Magazine 'Passage'
Deichtorhallen/Sammlung Falckenberg Hamburg
Palais de Tokyo, Paris
Paintings 2023
Flaming Ears restored!
paintings 2022
"Private" Parts!?
Soft Machine at Phileas Vienna
Biennale Arte Venezia 2022
Tranny's Pleasures
Currencies of De*Capital Delirium
KUB Bregenz
KUB Katalog
Trend
Book
15th Biennale of Lyon
New Works 2019
Exhibitions 2019
Exhibitions 2018
Fiac 2018
new works 2018
Tina+me
documenta 14
investor's marble fever
libidinal economy's special effects
neoliberal musings
rogue economics
numbered
fluid membership
fiscal stimulus faltering
Hans
dropping 2.5% to $ 116.61 Reproduction
h_ dandy body_parts
monograph
die raffinerie
painting's profit
mofa
financial drooling
öl gold eier/oil gold balls
libidinal economy 2010
transgenics TM
reproductive derangement
more installations
boy series
milk: brown, green
monochromes
self/portraits
large storyboard
kino
still lives
drawings
mutants
empty cinema
films: filmography
dandy dust
1/2 frogs
summer of 1995
flaming ears
the abbotess
early films
performance
music
fotography
exhibitions
filmscreenings
press
bio
bibliography
links
contact
Kunsthaus Bregenz
Jakob Lena Knebl & Ashley Hans Scheirl
Seasonal Greetings
12 | 12 | 2020 — 14 | 03 | 2021
curated by: Thomas D. Trummer
'Die Gescheiterte Hoffnung'/ 'Failed Hope' Foto: Markus Tretter Courtesy: Mumok Wien
Jakob Lena Knebl: 'Konkret'/'Concrete' Foto: Markus Tretter
'Saisonal Greetings' Foto: Markus Tretter
Foto: Alexander Nussbaumer
Ashley Hans Scheirl 'Das Labor' /'The Laboratory'
Ashley Hans Scheirl 'Das Labor' /'The Laboratory' Foto: Markus Tretter
Foto: Alexander Nussbaumer
foto by: Miro Kuzmanovic, © Kunsthaus Bregenz
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